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jasambrend wrote:

violator wrote:I da, jucer se navrsilo tocno 30 godina (!) od izlaska Nirvaninog iznimno uspjesnog albuma Nevermind. :)

24. 09. 1991.

"Smells Like Teen Spirit", "In Bloom", "Come as You Are", "Breed", "Lithium", "Polly", "Territorial Pissings","Drain You", "Lounge Act", "Stay Away", "On a Plain", "Something in the Way", "Endless, Nameless"

Album koji je definitivno promjenio mnoge odnose na glazbenoj sceni...međutim, meni je puno bolje sjeo In Utero kao klasičan primjer uspješan albuma nekog benda koji baš olako ne pristaje na kompromise mainstream politike major labela koji pošto poto žele sve pretvoriti u meki sladunjavi i sterilno beskarakterni pop...tako je ipak prošla stvar Rape Me, ali ne i I Hate Myself and I Want to Die što ipak nije puno umanjilo karakter samog albuma koji je po meni najbolji Nirvanin...osobni favorit mi je Frances Farmer Will Have Her Revenge On Seattle...tipična Cobainovska stvar o nepravdi nanesenoj hollywodskoj glumici iz Seattlea iz četrdesetih, a koju su prisilno liječili elektrošokovima pa na kraju joj napravili čak i lobotomiju zbog njezine posesivne matere i tada poprilično sjebane sredine, a jedini krimen joj je bio da je bila za tadašnje pojmove malo previše svoja dok bi za današnje bi bila čisti normalan prosjek...

E da.. :)

Bleach, Nevermind, Insecticide (zapravo kompilacija rijetkih snimki i b-strana singlica) i posljednji In Utero kojeg su snimali s Albinijem. On je radio s Pixies na ploci Surfer Rosa. :) Albini im je podario sirov zvuk, toliko sirov da diskografska kuca nije uopce zeljela izdati album, a cini mi se da su i decki imali neke zamjerke na njegov miks, nesto je s bas gitarama izazvalo njihovo nezadovoljstvo pa je REMov producent dodatno uredio "Heart Shaped Box" i "All Apologies".

Meni je strasno drag njihov nastup na MTV-u Unplugged, poprilicno znacajan za povijest Nirvane, jer volim te akusticne verzije njihovih pjesama kao i nadahnute obrade "Man Who Sold The World" (Bowie), Meat Puppetsa "Lake of Fire" i "Where did You Sleep Last Night?" Leadbellya.

:)

Meat Puppetsi su im i bili gosti... :)

violator wrote:

jasambrend wrote:

violator wrote:I da, jucer se navrsilo tocno 30 godina (!) od izlaska Nirvaninog iznimno uspjesnog albuma Nevermind. :)

24. 09. 1991.

"Smells Like Teen Spirit", "In Bloom", "Come as You Are", "Breed", "Lithium", "Polly", "Territorial Pissings","Drain You", "Lounge Act", "Stay Away", "On a Plain", "Something in the Way", "Endless, Nameless"

Album koji je definitivno promjenio mnoge odnose na glazbenoj sceni...međutim, meni je puno bolje sjeo In Utero kao klasičan primjer uspješan albuma nekog benda koji baš olako ne pristaje na kompromise mainstream politike major labela koji pošto poto žele sve pretvoriti u meki sladunjavi i sterilno beskarakterni pop...tako je ipak prošla stvar Rape Me, ali ne i I Hate Myself and I Want to Die što ipak nije puno umanjilo karakter samog albuma koji je po meni najbolji Nirvanin...osobni favorit mi je Frances Farmer Will Have Her Revenge On Seattle...tipična Cobainovska stvar o nepravdi nanesenoj hollywodskoj glumici iz Seattlea iz četrdesetih, a koju su prisilno liječili elektrošokovima pa na kraju joj napravili čak i lobotomiju zbog njezine posesivne matere i tada poprilično sjebane sredine, a jedini krimen joj je bio da je bila za tadašnje pojmove malo previše svoja dok bi za današnje bi bila čisti normalan prosjek...

E da.. :)

Bleach, Nevermind, Insecticide (zapravo kompilacija rijetkih snimki i b-strana singlica) i posljednji In Utero kojeg su snimali s Albinijem. On je radio s Pixies na ploci Surfer Rosa. :) Albini im je podario sirov zvuk, toliko sirov da diskografska kuca nije uopce zeljela izdati album, a cini mi se da su i decki imali neke zamjerke na njegov miks, nesto je s bas gitarama izazvalo njihovo nezadovoljstvo pa je REMov producent dodatno uredio "Heart Shaped Box" i "All Apologies".

Meni je strasno drag njihov nastup na MTV-u Unplugged, poprilicno znacajan za povijest Nirvane, jer volim te akusticne verzije njihovih pjesama kao i nadahnute obrade  "Man Who Sold The World" (Bowie), Meat Puppetsa "Lake of Fire" i "Where did You Sleep Last Night?" Leadbellya.

:)

Doduše, nije se Geffenovcima tad bilo pametno puno ni petljati s obzirom na tadašnje stanje na glazbenoj sceni...A Steve Albini samo da je producira Surfer Rosu, zaslužija bi aureolu besmrtnosti jer se radi o jednom od najboljih albuma u povijesti i osobno meni najdražem...ama baš je sve savršeno posloženo na tom albumu, a i cover albuma je genijalan, a ne jednom sam zbog njega popija ban na Faceu zbog njihovih retardiranih pravila o cenzuri nepoćudnih sadržaja...Ajme, koji debili i kakva retardirana platforma uopće...

Buljija sam u Joey Santiaga neprekidno dok su izvodili Vamos 2006. na Šalati...kakav genijalac...

Moody Blues - Nights in White Satin
https://www.youtube.com/watch?v=MjUqfRrWwcM

Deep Purple - Child In Time
https://www.youtube.com/watch?v=OorZcOzNcgE

Led Zeppelin - Whole Lotta Love
https://www.youtube.com/watch?v=HQmmM_qwG4k

Kashmir Led Zeppelin
https://www.youtube.com/watch?v=vgvdZsxc8fM


Uriah Heep - July Morning
https://www.youtube.com/watch?v=TH6r0GtuKMA

PROCOL HARUM - A Whiter Shade Of Pale
https://www.youtube.com/watch?v=z0vCwGUZe1I


Kansas, Dust in the wind
https://www.youtube.com/watch?v=8PLgzkTNdsw


Deep Purple - Soldier of Fortune
https://www.youtube.com/watch?v=z4cEWZw4iJU

početak je kao iz nekog španjolskog nadrealnog filma..

jasambrend wrote:Buljija sam u Joey Santiaga neprekidno dok su izvodili Vamos 2006. na Šalati...kakav genijalac...

Vamos je jedna lijepa imigrantska pjesma. O divnom americkom snu.


Drago mi je da si imao prilike uzivo poslusati Joeya, fijuu. :)

DEAD CAN DANCE – THE HOST OF SERAPHIM

On stage, DEAD CAN DANCE were a beguiling and spectral mix of ancient European melodies, Gaelic folk rhythms, Middle Eastern mantras and exotic instruments.
Adept at mining the past for its poetic verse, DCD were able to craft these mystical passages into beautiful gothic futures. Both core members, Melburnians Brendan Perry and Lisa Gerrard brought out different elements in the overall shape of the sound. Lisa’s striking vocals, sirenesque becoming rhapsodic, with Perry providing the atmospheric context for this singular voice.

"Bearing much more resemblance to the similarly gripping, dark early work of bands like the Cocteau Twins and the Cure than to the later fusions of music that would come to characterize the duo's sound,” wrote AllMusic, “Dead Can Dance is as goth as it gets in many places".

In 1988, DCD released their fourth studio album ‘The Serpent's Egg is’ on 4AD records.

The album’s title was explained by Brendan Perry: “In a lot of aerial photographs of the Earth, if you look upon it as a giant organism—a macrocosmos—you can see that the nature of the life force, water, travels in a serpentine way".

From the album, the textured spirituality of THE HOST OF SERAPHIM, a track featured on a number of movie soundtracks including 2007 American science fiction horror film THE MIST.

THE STRANGLERS – STRANGE LITTLE GIRL (1982)

“It's a song that Hans Wärmling and myself wrote one day when he came over to live in Guildford, before Dave joined the band. Hans was very talented and created the musical passages on piano and I added the guitar solo, which Dave followed on keyboards on the record.”

Hugh agreed that if the band had released Strange Little Girl instead of April’s single La Folie, it would probably have gone to number one. “I think so….but they were very happy and we managed to walk away from EMI into the arms of CBS.”

The lyrics were inspired by a girl and a book. “She owned some horses and every day she'd hitch to feed them in Bramley,” said Hugh, “which was quite a distance away. She'd feed the horses and hitch back again, so I wrote about her being a strange little girl leaving town to go to the country."

"The song was also a nod at an 18th-century French writer called Alain Le Sage. He wrote a book called Gil Blas, which was a groundbreaking work, the first French novel about social realism.”

NEW ORDER – LEAVE ME ALONE

The final track from New Order’s second studio album ‘Power, Corruption & Lies,’ LEAVE ME ALONE was “a poignant moment for Bernard Sumner in particular, waning guitar and lyrics on isolation creating a shared sense of weariness,” wrote Vice.com.

“I must admit, my favorite song to play is still my fave tune, which is “Leave Me Alone,” said Peter Hook in 2013.
“There’s something about that song in particular that really I find to be life affirming and joyous and to go through Movement and Power, Corruption, And Lies and finish as we do with “Leave Me Alone” is a fantastic moment for me. But we never played it in 25, 27 years.”

The video here features footage from the 1967 Lindsay Anderson directed short film ‘The White Bus,’ the film debut of Anthony Hopkins.

The video edit is courtesy of ElectromaMV

violator wrote:

jasambrend wrote:Buljija sam u Joey Santiaga neprekidno dok su izvodili Vamos 2006. na Šalati...kakav genijalac...

Vamos je jedna lijepa imigrantska pjesma. O divnom americkom snu.


Drago mi je da si imao prilike uzivo poslusati Joeya, fijuu. :)  

Da...ne ide bez prstohvata satire...

Meni još draže...ali stvarno sam cijelo vrijeme bio fiksiran na lika, imao sam osjećaj da me je Kim u jednom trenu čudno pogledala, uspjeli smo se progurati relativno blizu stagea...jedno od mojih posljednjih koncertnih trzaja na žalost, doduše Inmusic 2010. je bio zadnji...Arcade Fire sam jednostavno morao vidjeti i onda im je ton majstorica sjebala na kraju toliko zvuk da su se jedva čuli, al opet nakon dva genijalna albuma u nizu bili su paaa...nisu bez razloga smatrani jednim od najboljih live bendova uopće jer im je izvedba i energija koju pružaju besprijekorna...i nakon toga sam postao papučar...