Denkverbot

tupa igla wrote:

violator wrote:

tupa igla wrote:
It is therefore not surprising that this lover of physical ecstasy would favor the lyrical over the discursive, and would want his words to move with light feet – like his Zarathustra – and transcend their conventional meaning. It was more the movements of his great teacher Socrates that first showed him this great dance of reason.

In the Symposium, Xenophon says that while Socrates observed the performance of a Syracusian dancer he was infatuated with his grace. In the harmony of his movements he saw him as even more beautiful than when at rest. Then, Socrates confesses that Charmides found him dancing alone and though that he was crazy, but when he described to him his intention to find harmony in his movements, Charmides began his own solitary practice of shadow boxing (because he didn’t know how to dance). This of course reminds us of the famous phrase by Nietzsche (and who perhaps imagined it from this anecdote): “And those who were seen dancing were thought to be insane by those who could not hear the music.”

For Socrates, dance was the optimum way of moving the body in simultaneous symmetry with all of its parts, unlike other kinds of physical exercise such as running or wrestling. The relationship between beauty (kalos) and more beautiful (kallion) is one of movement and proportion. The philosopher, realizing that the body is much more beautiful and graceful in total movement than in simple repose, learned to dance as an old man, aged 70. We should remind ourselves that he also said: “Music and dance are two arts that complement each other and form the beauty and power that are the basis of happiness.”

Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

Gnječ wrote:

aben wrote:

Gnječ wrote:

aben wrote:

Gnječ wrote:

nisam primijetio  da te itko ikada nazvao četnikom, srbendom, komunjarom, jugonostalgičarem, iredentom, orjunašem itd. a znaš da državotvorni rvatine ne vole kad im netko mrzi lijepu njihovu septičku.

prema tome ne seri no dobro je da si javno se izjasnio glede tog mog upisa i sad mogu i na ferije otić brat šparuge, mirisat ljubičice u šumi...

pa ne zovu me tako jer je osnova za moju kritiku sloboda, a ne jugoslovenija, ko u tvon slučaju.

pa kako jebote izazvali ste krvavi brutalni građanski rat da bi uništili SFRJ tamnicu svih hrvata i sad kad ste se oslobodili i postali slobodni hrvati u slobodnoj vam neovisnoj i vječnoj NDH jopet niste slobodni???

upravo tako

hahahah....a ki van sad zapačiva porco ladro? ki? ki? ki da mu majku jebemo ki vama rvatima zapačiva da još niste slobodni? ki su ti ladri, tati?

tupa igla wrote:
svi smo iz miješanih brakova

združili se m i ž-

Gnječ wrote:

tupa igla wrote:

violator wrote:

tupa igla wrote:
It is therefore not surprising that this lover of physical ecstasy would favor the lyrical over the discursive, and would want his words to move with light feet – like his Zarathustra – and transcend their conventional meaning. It was more the movements of his great teacher Socrates that first showed him this great dance of reason.

In the Symposium, Xenophon says that while Socrates observed the performance of a Syracusian dancer he was infatuated with his grace. In the harmony of his movements he saw him as even more beautiful than when at rest. Then, Socrates confesses that Charmides found him dancing alone and though that he was crazy, but when he described to him his intention to find harmony in his movements, Charmides began his own solitary practice of shadow boxing (because he didn’t know how to dance). This of course reminds us of the famous phrase by Nietzsche (and who perhaps imagined it from this anecdote): “And those who were seen dancing were thought to be insane by those who could not hear the music.”

For Socrates, dance was the optimum way of moving the body in simultaneous symmetry with all of its parts, unlike other kinds of physical exercise such as running or wrestling. The relationship between beauty (kalos) and more beautiful (kallion) is one of movement and proportion. The philosopher, realizing that the body is much more beautiful and graceful in total movement than in simple repose, learned to dance as an old man, aged 70. We should remind ourselves that he also said: “Music and dance are two arts that complement each other and form the beauty and power that are the basis of happiness.”

Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

ajde bogati ja pišem već 10 godina i niko me ne jebe pol posto a ti zbog jednog posta što ti nitko nije komentirao padaš u depru.

violator wrote:

tupa igla wrote:

violator wrote:

tupa igla wrote:
It is therefore not surprising that this lover of physical ecstasy would favor the lyrical over the discursive, and would want his words to move with light feet – like his Zarathustra – and transcend their conventional meaning. It was more the movements of his great teacher Socrates that first showed him this great dance of reason.

In the Symposium, Xenophon says that while Socrates observed the performance of a Syracusian dancer he was infatuated with his grace. In the harmony of his movements he saw him as even more beautiful than when at rest. Then, Socrates confesses that Charmides found him dancing alone and though that he was crazy, but when he described to him his intention to find harmony in his movements, Charmides began his own solitary practice of shadow boxing (because he didn’t know how to dance). This of course reminds us of the famous phrase by Nietzsche (and who perhaps imagined it from this anecdote): “And those who were seen dancing were thought to be insane by those who could not hear the music.”

For Socrates, dance was the optimum way of moving the body in simultaneous symmetry with all of its parts, unlike other kinds of physical exercise such as running or wrestling. The relationship between beauty (kalos) and more beautiful (kallion) is one of movement and proportion. The philosopher, realizing that the body is much more beautiful and graceful in total movement than in simple repose, learned to dance as an old man, aged 70. We should remind ourselves that he also said: “Music and dance are two arts that complement each other and form the beauty and power that are the basis of happiness.”

Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

.A tko ce ti komentirati? Aben i Gnjec? Vidis da si mjere cookieje i usporedjuju metrazu. :p

Gnječ wrote:

violator wrote:

tupa igla wrote:

violator wrote:

tupa igla wrote:
It is therefore not surprising that this lover of physical ecstasy would favor the lyrical over the discursive, and would want his words to move with light feet – like his Zarathustra – and transcend their conventional meaning. It was more the movements of his great teacher Socrates that first showed him this great dance of reason.

In the Symposium, Xenophon says that while Socrates observed the performance of a Syracusian dancer he was infatuated with his grace. In the harmony of his movements he saw him as even more beautiful than when at rest. Then, Socrates confesses that Charmides found him dancing alone and though that he was crazy, but when he described to him his intention to find harmony in his movements, Charmides began his own solitary practice of shadow boxing (because he didn’t know how to dance). This of course reminds us of the famous phrase by Nietzsche (and who perhaps imagined it from this anecdote): “And those who were seen dancing were thought to be insane by those who could not hear the music.”

For Socrates, dance was the optimum way of moving the body in simultaneous symmetry with all of its parts, unlike other kinds of physical exercise such as running or wrestling. The relationship between beauty (kalos) and more beautiful (kallion) is one of movement and proportion. The philosopher, realizing that the body is much more beautiful and graceful in total movement than in simple repose, learned to dance as an old man, aged 70. We should remind ourselves that he also said: “Music and dance are two arts that complement each other and form the beauty and power that are the basis of happiness.”

Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

.A tko ce ti komentirati? Aben i Gnjec? Vidis da si mjere cookieje i usporedjuju metrazu. :p

Ničea mi stavlja sad u proljeće. pitao sam se jel to kic radi namjerno da ubije ljudima i ono malo nade i života i veselja?

tupa igla wrote:

Gnječ wrote:

tupa igla wrote:

violator wrote:

tupa igla wrote:
It is therefore not surprising that this lover of physical ecstasy would favor the lyrical over the discursive, and would want his words to move with light feet – like his Zarathustra – and transcend their conventional meaning. It was more the movements of his great teacher Socrates that first showed him this great dance of reason.

In the Symposium, Xenophon says that while Socrates observed the performance of a Syracusian dancer he was infatuated with his grace. In the harmony of his movements he saw him as even more beautiful than when at rest. Then, Socrates confesses that Charmides found him dancing alone and though that he was crazy, but when he described to him his intention to find harmony in his movements, Charmides began his own solitary practice of shadow boxing (because he didn’t know how to dance). This of course reminds us of the famous phrase by Nietzsche (and who perhaps imagined it from this anecdote): “And those who were seen dancing were thought to be insane by those who could not hear the music.”

For Socrates, dance was the optimum way of moving the body in simultaneous symmetry with all of its parts, unlike other kinds of physical exercise such as running or wrestling. The relationship between beauty (kalos) and more beautiful (kallion) is one of movement and proportion. The philosopher, realizing that the body is much more beautiful and graceful in total movement than in simple repose, learned to dance as an old man, aged 70. We should remind ourselves that he also said: “Music and dance are two arts that complement each other and form the beauty and power that are the basis of happiness.”

Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

ajde bogati ja pišem već 10 godina i niko me ne jebe pol posto a ti zbog jednog posta što ti nitko nije komentirao padaš u depru.

2 posta.

aben wrote:

tupa igla wrote:
svi smo iz miješanih brakova

združili se m i ž-

srbska kultura je jednostavno jača. deca iz mešanih brakova će uvik biti deca, to je tako. usporedi blitvu i koprivu, šelen i maslačak, ki je jači?

un ki je divljiji.

Gnječ wrote:

violator wrote:

tupa igla wrote:

violator wrote:

tupa igla wrote:
It is therefore not surprising that this lover of physical ecstasy would favor the lyrical over the discursive, and would want his words to move with light feet – like his Zarathustra – and transcend their conventional meaning. It was more the movements of his great teacher Socrates that first showed him this great dance of reason.

In the Symposium, Xenophon says that while Socrates observed the performance of a Syracusian dancer he was infatuated with his grace. In the harmony of his movements he saw him as even more beautiful than when at rest. Then, Socrates confesses that Charmides found him dancing alone and though that he was crazy, but when he described to him his intention to find harmony in his movements, Charmides began his own solitary practice of shadow boxing (because he didn’t know how to dance). This of course reminds us of the famous phrase by Nietzsche (and who perhaps imagined it from this anecdote): “And those who were seen dancing were thought to be insane by those who could not hear the music.”

For Socrates, dance was the optimum way of moving the body in simultaneous symmetry with all of its parts, unlike other kinds of physical exercise such as running or wrestling. The relationship between beauty (kalos) and more beautiful (kallion) is one of movement and proportion. The philosopher, realizing that the body is much more beautiful and graceful in total movement than in simple repose, learned to dance as an old man, aged 70. We should remind ourselves that he also said: “Music and dance are two arts that complement each other and form the beauty and power that are the basis of happiness.”

Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

.A tko ce ti komentirati? Aben i Gnjec? Vidis da si mjere cookieje i usporedjuju metrazu. :p

Ničea mi stavlja sad u proljeće. pitao sam se jel to kic radi namjerno da ubije ljudima i ono malo nade i života i veselja?

violator wrote:

Gnječ wrote:

violator wrote:

tupa igla wrote:

violator wrote:


Lijepo. :)

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

.A tko ce ti komentirati? Aben i Gnjec? Vidis da si mjere cookieje i usporedjuju metrazu. :p

Ničea mi stavlja sad u proljeće. pitao sam se jel to kic radi namjerno da ubije ljudima i ono malo nade i života i veselja?

Je, a vasi su postovi fakat o cvecu i drvecu. : )))

Gnječ wrote:

violator wrote:

Gnječ wrote:

violator wrote:

tupa igla wrote:

već sam htio tužno reći da nitko nije komentirao filozofe-plesače.. :))

.A tko ce ti komentirati? Aben i Gnjec? Vidis da si mjere cookieje i usporedjuju metrazu. :p

Ničea mi stavlja sad u proljeće. pitao sam se jel to kic radi namjerno da ubije ljudima i ono malo nade i života i veselja?

Je, a vasi su postovi fakat o cvecu i drvecu. : )))

koji naši? moji su za enciklopediju britanicu abenovi su zakurac. uglavnom mic po mic aben je javno priznao da mrzi državu hrvatsku a mogu se okladit da isto i Kenwood Kenon i cijela bulumenta kriminalaca iz hdz-a i njihovih satelita trabanata mrze državu hrvatsku samo neće javno priznati kao aben sada ali djela tj. nedjela ih izdaju jer tko može takvom fanatičkom upornošću uništavati državu hrvatsku nego oni koji je mrze.

aben wrote:

Gnječ wrote:

violator wrote:

Gnječ wrote:

violator wrote:

.A tko ce ti komentirati? Aben i Gnjec? Vidis da si mjere cookieje i usporedjuju metrazu. :p

Ničea mi stavlja sad u proljeće. pitao sam se jel to kic radi namjerno da ubije ljudima i ono malo nade i života i veselja?

Je, a vasi su postovi fakat o cvecu i drvecu. : )))

koji naši? moji su za enciklopediju britanicu abenovi su zakurac. uglavnom mic po mic aben je javno priznao da mrzi državu hrvatsku a mogu se okladit da isto i Kenwood Kenon i cijela bulumenta kriminalaca iz hdz-a i njihovih satelita trabanata mrze državu hrvatsku samo neće javno priznati kao aben sada ali djela tj. nedjela ih izdaju jer tko može takvom fanatičkom upornošću uništavati državu hrvatsku nego oni koji je mrze.

da mic po mic..hahah

gnječo, svi libertarijanci mrzu hrvacku državu po defoltu, javno, uvika....youre long way from britannica, my friend:)

Gnječ wrote:

aben wrote:

Gnječ wrote:

violator wrote:

Gnječ wrote:

Ničea mi stavlja sad u proljeće. pitao sam se jel to kic radi namjerno da ubije ljudima i ono malo nade i života i veselja?

Je, a vasi su postovi fakat o cvecu i drvecu. : )))

koji naši? moji su za enciklopediju britanicu abenovi su zakurac. uglavnom mic po mic aben je javno priznao da mrzi državu hrvatsku a mogu se okladit da isto i Kenwood Kenon i cijela bulumenta kriminalaca iz hdz-a i njihovih satelita trabanata mrze državu hrvatsku samo neće javno priznati kao aben sada ali djela tj. nedjela ih izdaju jer tko može takvom fanatičkom upornošću uništavati državu hrvatsku nego oni koji je mrze.

da mic po mic..hahah

gnječo, svi libertarijanci mrzu hrvacku državu po defoltu, javno, uvika....youre long way from britannica, my friend:)

ajde čedo srbendo puši kurčinu.

aben wrote:

Gnječ wrote:

aben wrote:

Gnječ wrote:

violator wrote:

Je, a vasi su postovi fakat o cvecu i drvecu. : )))

koji naši? moji su za enciklopediju britanicu abenovi su zakurac. uglavnom mic po mic aben je javno priznao da mrzi državu hrvatsku a mogu se okladit da isto i Kenwood Kenon i cijela bulumenta kriminalaca iz hdz-a i njihovih satelita trabanata mrze državu hrvatsku samo neće javno priznati kao aben sada ali djela tj. nedjela ih izdaju jer tko može takvom fanatičkom upornošću uništavati državu hrvatsku nego oni koji je mrze.

da mic po mic..hahah

gnječo, svi libertarijanci mrzu hrvacku državu po defoltu, javno, uvika....youre long way from britannica, my friend:)

ajde čedo srbendo puši kurčinu.

možda da provoš uređivati neku porno enciklopediju?

tupa igla wrote:
ukratko svi mrze Hrvatsku :D

Maggie19 wrote:Sto je ovo..neki intelektualni vip..proplakat cu ;-D

aben wrote:Velika je rozlika biti državofob i hrvatofob.
Jo o hrvatima nemun neko posebno mišljenje, svega nekoliko tehničkih predrasuda poput toga da su socijalisti i to je to. 
Obćenito vridi da ne homogenost bolja za kvalitetu života, i da je bolje da je razina odlučivanja ča niže, bolje je beograd nego beč, bolje zagreb nego beograd, bolje split nego zagreb....