Azilanti s Bliskog istoka u Njemačkoj masovno prelaze na kršćanstvo

Starhemberg wrote:

melkior wrote:

Starhemberg wrote:

Ma kome treba ovo bizantinsko-arapsko-tursko arlaukanje?

RayMabus wrote:Mislim da je jer ocito ti nekužiš da dvoje ljudi razgovaraju i da je hebavanje svega i svacega između te dvojice njihov nacin komunikacije i da tako oni pricaju.

AKo ti se nije nitko požalio ti u biti ubijaš komunikaicju.

Otjerat ceš ljude sa foruma jer : covjek je živ u mjeri u kojoj može komunicirati a mrtav u kojoj to nesmije.

Starhemberg wrote:Tursko? Blaženo nekad zna biti neznanje... jel i ovo tursko?




Kad korijene ""vlastite" kulture ne znaš, nema tu šta dodat...

RayMabus wrote:Vecinom je to tamo pravoslavno ....ako se pravoslavni svijet nemože dogovorit oko toga i stat u obranu istog a šta onda treba ocekivat da Papa stane i katolicki svijet ?!?

epikur37 wrote:Pa više duhovnosti ima u ovom što je on stavio nego to što si ti zalijepi frash....neku cuku u trapericama okolo po parku.

Ako si već htio nešto katoličko gregorian je ekstra a ne te protestantske pop zezancije.

melkior wrote:
Europi ne treba to arapsko bliskoistočno arlaukanje, čak ni kada je kršćansko.

epikur37 wrote:Pa više duhovnosti ima u ovom što je on stavio nego to što si ti zalijepi frash....neku cuku u trapericama okolo po parku.

Ako si već htio nešto katoličko gregorian je ekstra a ne te protestantske pop zezancije.

Starhemberg wrote:

melkior wrote:
Europi ne treba to arapsko bliskoistočno arlaukanje, čak ni kada je kršćansko.

Nemoj dalje, svega ti...bliskoistočno?

The Gradual of Eleanor of Brittany

In 1304, Eleanor of Brittany became its sixteenth Abbess, having been trained as a nun in the English daughter house of Amesbury. The Gradual that bears her arms contains, in addition to the normal chant repertoire, a special repertoire of its own (not, as mistranslated in the notes, ''a repertory of the Proper'' which, in any case, was already there). It is this collection of miscellaneous pieces that throws special light on the musical life of these nuns. Some items were undoubtedly intended to embellish parts of the liturgy itself on high feast days; others are more likely to have been used as pious entertainment during moments of recreation—then as now, in monastic communities—for special occasions such as the Abbess's feast day, or the anniversary of her abbatial blessing. Some pieces have a simple, at times crude, two-part harmonization including rows of consecutives. Others have drones, which may or may not have been indicated in the manuscript, excellently performed and attractive to hear though they are.

RayMabus wrote:http://www.novosti.rs/vesti/planeta.299.html:566006-Komunisti-Libana-formirali-gerilu-za-borbu-protiv-dzihadista-ID

Komunisti Libana formirali gerilu za borbu protiv džihadista ID

melkior wrote:

Starhemberg wrote:

melkior wrote:
Europi ne treba to arapsko bliskoistočno arlaukanje, čak ni kada je kršćansko.

Nemoj dalje, svega ti...bliskoistočno?

The Gradual of Eleanor of Brittany

In 1304, Eleanor of Brittany became its sixteenth Abbess, having been trained as a nun in the English daughter house of Amesbury. The Gradual that bears her arms contains, in addition to the normal chant repertoire, a special repertoire of its own (not, as mistranslated in the notes, ''a repertory of the Proper'' which, in any case, was already there). It is this collection of miscellaneous pieces that throws special light on the musical life of these nuns. Some items were undoubtedly intended to embellish parts of the liturgy itself on high feast days; others are more likely to have been used as pious entertainment during moments of recreation—then as now, in monastic communities—for special occasions such as the Abbess's feast day, or the anniversary of her abbatial blessing. Some pieces have a simple, at times crude, two-part harmonization including rows of consecutives. Others have drones, which may or may not have been indicated in the manuscript, excellently performed and attractive to hear though they are.

Europa je razvila svoju vlastitu meditativnu glazbu neovisno o orijentalnom arlaukanju. Ja ne poričem orijentalne utjecaje u srednjovjekovnoj crkvenoj glazbi, ali zapadna glazba je imala svoj vlastiti razvojni put a ovi su zaostali u svojoj vukojebini, ne razlikuju se puno od svoje muslimanske braće.
Inače,